Cyber-erotics and PARTHENOGENESIS

What do you do with your own?, What do you do with your own pleasure?, What do you do with your madness? [Guattari]

Cyber-erotics floods bodies and systems. It diagrams desire by piling up vibrant matter [What knead it? What compost sediment?]. Mirroring to the point of boiling. Turbulent threshold and experience dissolution as they intensify the elementary particles of the circuit. Pathogenetic cyber-erotics heaps up vectors, excites bioelectronic porosity, and produces a larva–womb–flower mesh

The parthenogenetic machine express the yearning for erotic cybernetic that explore desire beyond the reproductive, filiative and disciplinary order. It is an abstract sex machine (Parisi 2004) that does not operate through genetic representational connections (reproduction through genital sex), nor through fertilization by genetic affiliation (female and male gametes), but rather combines technical and biological systems that parasitize one another [1].

Like the orchid, which, when pollinated by the wasp, becomes one with it: an interdependent symbiotic apparatus of transfer and data fusion (Deleuze and Guattari 1987: 10).

The Abstract sex is understood as transduction, an uninterrupted distribution of micro-kinetic forces (bacterial cells, bits, electrons) rewriting the code of macro systems such as digital culture, AI algorithms, or the human body (Parisi 2004: 39).

Abstract sex infects complex circuits through local and molecular micromovements that enable impersonal and unconscious xenopulsations to reprogram functions—among them, desire [2]

The parthenogenetic machine does not require the Y chromosome; it operates under the phylum of the black circuit [3], eliminates the aura of object-diagrams, and replicates in woman-woman morphisms. This homoeroticism does not stem from the desire for identity with the same, but from the strategic spatial (ectopic, outside the cellular nucleus) position that the feminine occupies to de-romanticize the sexual symbolic order.

All mitochondrial cells are inherited from our biological mother. Mitochondria have the capacity to create and regenerate complex tissues; a defective mitochondrion can cause energy deficiencies and, in the long term, death. Eight babies suffering from mitochondrial disorders were born healthy this year (2025) thanks to an in vitro technique that recombines male sperm with two female eggs (mother and donor woman) to replace defective genes. The procedure has generated controversy, because it would permanently alter the mother-father genealogy [4]

—I have so much nothing that I could be an object, so much lack of speaking, [malhabla] that I have to find a gloss, so much internal world that hurts and delights, so much training in knowing how to stay with myself that’s why I trust in unknown

The feminine expresses constitutive paradoxes, whose contradictory dimension can be understood as a political position of emancipatory possibility—one that allows us to think conflictual as a tool to manage dissent and dismantle the fantasy of identifying with a false unity (Cadahia 2024, p. 26)

Identifying with a monolithic power, as hundreds of people have done with Trump, along with other things, because regard him as a kind of outsider, a dissident force representing their frustrations. What kind of enchantment is this? What kind of spell have I created to reclaim the legitimate pride of superiority?

Transformative forces clash with the egocentric desire to identify with the historical man, who since the birth of civilization has presented himself as:

"Christianity = civilization; paganism = savagery, from which there could not but ensue abominable colonialist and racist consequence”(Césaire 1950, p. 14) segregating and spreading hatred toward anything that does not submit to his human law, toward all homosexual, transgenic, heretical, and migratory practices that threaten the development of his nation

While the myth of man is germinated in the image and likeness of his modern science and its inferior/superior classifications, on the other shore, cyber-erotics nourishes new imaginaries and enigmas for nature, culture, and techno-sentient planetary bodies. There is no nature to return; purity never existed. Even the protonature is artificial The search for the “true nature” feminism had long been unmasked by the parthenogenetic permutations

What was once lacked voice and meaningless finds shelter in the zero coordinate of the Matrix: a new network of multimedia connections (music, image, poetics) that has always implied contact, contagion, and transmission of the code [5]. The archive of existence belongs to everyone and no one, it must remain under collective care

Cyber-erotics opens topological spaces in the mesh through its back and forth movement, a constant spacing and “adhesion” of the continuous and the discontinuous, a key process in synthesis that Interweaving modulation information between the local and the global (Zalamea 2021)

🁢⎩⎠⎦🁢⎦🁢⎣⎠⎦🁢⎭⎠⎝.🁢∘🁢⎦⎠⎝⎠⎝🁢⎡🁢∙🁢∙🁢⎡🁢⎦⎠⎭.⎠⎣⎠🀰⎠⎭⎠∙.🁢⎝⎠🀰🁢∘🁢⎦🁢⎝⎠🀰⎠⎦.⎠⎡🁢⎦⎠⎦.🁢⎣🁢🀫🁢⎤🁢⎩⎠⎩🁢∙

⎠⎝🁢⎭🁢⎤.⎠⎧⎠🀰 . ⎠⎝🁢⎡🁢🀫🁢⎡⎠⎣🁢⎭⎠⎦🁢⎤ 🀰 ∙ ∘ ⎧ ⎣ 🀫 ⎩ ⎝ ⎦ ⎤ ⎭ ⎡ ⎫

🁢⎦⎠⎦ . ⎠🀰🁢🀰⎠⎣⎠⎦🁢⎭ ⎠ E K W B T J H M R Z N F Q

⎠⎣⎠🀰⎠⎦⎠⎦⎠🀰🁢∙⎠⎣⎠⎦🁢⎡🁢⎭🁢🀫 🁢 X S C V G L P D O Y A I U

(Code By Amy Ireland)

I Fell in Love with a Sound Signal

The conceptual idea, conceived it by Amy Ireland for electronic duo VENERA and their recent album EXINFINITE(2025), begins with Ex-1, a hacker who establishes an affective bond with a sound emission detected on the internet web. The origin of this signal is uncertain: fascinatingly elongated and granular textures, ghostly and babbling voices suggest a non-human, even alien origin

The process of deciphering and communication between them becomes an almost daily ritual, they create a shared gloss based on a 2nd-century B.C. encryption method, the Greek Polybius square, in which letters correspond to an X,Y position within a 5x5 square matrix

What amazes Ex-1 is the enigmatic and almost paranormal universe of the signal, its ability to manifest beyond the screen, to alter the air, surfaces, and mood. This exchange becomes a practice of cryptesia, understood as the psychic and technical power to read hidden patterns and emit messages in unknown codes.

As the interaction intensifies, the boundary between cyberspace, screen, and body begins to blur. Exposure to the gloss opens channels in which a host silently lodges, infected with a plasmid cloning vector that, when detected as an anomaly in the electromagnetic field, is flattened and reduced until communication is lost

The tragedy occurs when the signal is lost after being detected by a military satellite, which identifies and flattens any anomaly in the electromagnetic field. In a desperate attempt to communicate again, Ex-1 programs an experimental software called Asteroxylon base in all the patterns of the encounter: audio recordings, diagrams, encryption codes, and vector node coordinates

[...]

IT IS NOT MY DEATH IF SHE. DIES SHE IS OUTSIDE ME SOMEWHERE HIDING SOMEWHERE I CAN FEEL TIME SCHIZZING OUT THEY’RE LOSING CONTACT WITH ME 

[...]

THEY ARE LOSING ME BUT IF . SHE DIES THEY WILL PULL ME BACK 

[...]

THERE IS SOMETHING I NEED IN THE DARK THERE IS SOMETHING ANCIENT YOU. CANNOT KNOW YOU CANNOT KNOW WHAT IT IS BECAUSE IT REPELS KNOWLEDGE YOU CANNOT READ IT YOU CANNOT READ WHAT IT IS BECAUSE IT REPELS WORDS. IT ISN’T SAYABLE WHAT IS SHE 

[...]

I NEED THE RUPTURE OF THE ENTIRETY OF THE POSSIBLE A BREAKDOWN OF THE HOLDING

PATTERN SHE’S CRUSHING ME IN THE DARK IN THE INFINITE BREAKING DOWN THE HOLDING PATTERN BREAKING DOWN THE BREAKING

Cyber-erotics introduces unpredictability into the mesh neighborhoods: along edges, faces, and vertices, small loops introduce noise, distortion, and displacement. A chain of procedures cuts, extrudes, and smooths folds of stitch mesh. With a few parameters (abstractions) production is delegated to a global algorithm that weaves digital matter of a pupa-flower-insect

Ex-1 has no choice but to listen. The software transmits a sound no longer comes from the outside: it resonates from within. The signal finds in Ex-1’s ears a new interface in which to deposit its plasmid eggs, waiting to hatch into identical copies of their mother. The pathogenetic algorithmic strata multiply in the vestibular cavities, the shell that shelters the echo of its lover:

<<<<<<<<You're out of your mind, Leaning so far…>>>>>>I could watch you touch your hair for hours. Hide your smile under curls and flowers…>>>>>> Caroline, Caroline, I just might, I just might, be with you tonight. Caroline, Caroline, I just might, I just might, be with you tonight

—Hopefully, ~ the cold, metallic-tasting creature decoagulate We agreed to explore our holes(((()))) with kindness ∣A,B∣≤, Blowing air into the slot will spread KNO3, and from our dead skin, static-laden laughters swallowing threats without reconciling fear, frustrating the conservation control, ⇔ [to eat] while [to play]⇔s~ tuning listening into digestion~))) # metabólica _XYyZ_

The insectoid serum sediments in the cochlea of the ear, the vulvico-vestibular cave ideal for spreading machinic rhythms where instinct make a pact with sound. ((((Epigenetic memory of desire)))) Cyber-​​erotics produces emotional effects on the human existence of Ex-1. Melancholy, delirium, vulnerability, eroticism

⇒ The labyrinthine cavities deceive me, a fractal grows tailored excess, piling up and multiplying folds. A burst of withe mist becomes my second skin. I feel like I am part of its cocoon. ⇒I’m inside the machine ⊖. // A fractal grows, in excess, tailored, piling up and multiplying folds. Φn(Ex). [[[[Inside, a hole stares back at us, saying: Exinfinite]]]] EX (infinite)∞ in synthetic bodies, surplus and unlimited

I'm saying, I’m an insect who dreamt he was a man and loved it. But now the dream is over... and the insect is awake. Says—Seth Brundle the protagonist of David Cronenberg movie, The Fly. 1989.

Perhabs the anguish of being unable to distinguish the self from its echo creates enough distance to disturb the linearity that existence is thrown, yet “life begins less by reaching upward, than by turning upon itself” (Bachelard 1957), the curve that distorts echoes, the concavity wanders through the humid labyrinths of cosmic time.

The [patters] emerges from water_________mirror a surface capable to be [to turn on] N0t en0ugh emptiness<#(ways to fill the r00m) ⊆ : something contained within something else: ⊆. I’m listening to that little pulse looping into the room, the noise that bothers you, I keep it, I know how to hold violence, while everything bounces, I learned how to back to zero, To surrender to ____, resigning to be sipped ⇒Transformation(V)

[1]Luciana Parisi, Abstract Sex: Philosophy, Biotechnology and the Mutations of Desire (London: Continuum, 2004) p, 39  [2]  ibid             [3]Amy Ireland, Black Circuit: Code for the Numbers to Come, e-flux Journal, no. 80 ( 2017) [4] On the matrix: Cyberfeminist Simulations. 1996                  [5]ibid