Cybererotics and PARTHENOGENESIS

What do you do with your own?, What do you do with your own pleasure?, What do you do with your madness? [Guattari]

Cybererotics floods bodies and systems. It diagrams desire by piling up vibrant matter [what does it knead, compost, and sediment?]. Mirroring to the point of boiling.Turbulent currents cross a threshold and experience dissolution even as they intensify the elementary particles of the circuit. Pathogenetic cybererotics heaps up 3D matter, excites bioelectronic porosity, and produces a larva–womb–flower mesh

The parthenogenetic machine express the yearning for erotic cybernetic that explore desire beyond the reproductive, filiative and disciplinary order. It is an abstract sex machine (Parisi 2004) that does not operate through genetic representational connections (reproduction through genital sex), nor through fertilization by genetic affiliation (female and male gametes), but rather combines technical and biological systems that parasitize one another [1].

Like the orchid, which, when pollinated by the wasp, becomes one with itan interdependent symbiotic apparatus of transfer and data fusion (Deleuze and Guattari 1987: 10).

The Abstract sex is understood as transduction, an uninterrupted distribution of micro-kinetic forces (bacterial cells, bits, electrons) rewriting the code of macro systems such as digital culture, AI algorithms, or the human body (Parisi 2004: 39).

Abstract sex infects complex circuits through local and molecular micromovements that enable impersonal and unconscious xenopulsations to reprogram functions—among them, desire [2]

The parthenogenetic machine needs no male gamete to reproduce; it operates under the black circuit that erases the aura of object-schemes and replicates itself through woman–woman morphisms [3]. This homoerotics does not arise from a closes desire of identity, but from the strategic (ectopic) spatial position of the feminine, which unromanize the symbolic sexual order.

—I have so much nothing that I could be an object, so much lack of speaking, [malhabla] that I have to find a gloss, so much internal world that hurts and delights, so much training in knowing how to stay with myself that’s why I trust in unknown

The feminine expresses constitutive paradoxes, whose contradictory dimension can be understood as a political position of emancipatory possibility—one that allows us to think conflictual as a tool to manage dissent and dismantle the fantasy of identifying with a false unity (Cadahia 2024, p. 26)

Identifying with a monolithic power, as hundreds of people have done with Trump, along with other things, regard him as a kind of outsider—a dissident force representing their frustrations. What kind of enchantment is this? What kind of spell have I created to reclaim the legitimate pride of superiority?

Transformative forces clash with the egocentric desire to identify with the historical man, who since the birth of civilization has presented himself as:

"Christianity = civilization; paganism = savagery, from which there could not but ensue abominable colonialist and racist consequence”(Césaire 1950, p. 14) segregating and spreading hatred toward anything that does not submit to his human law—toward all homosexual, transgenic, heretical, and migratory practices that threaten the development of his nation

While in the colonial matrix of power the myth of Man germinates, made in the likeness of his modern science and its inferior/superior classification, on the other shore, the cybernetic matrix contaminates with a more-than-human love, nourishing feminist imaginaries and new enigmas of cyber-erotica, nature and bodies [6]

What was once lacked voice and meaningless finds shelter in the zero coordinate of the Matrix: a new network of multimedia connections (music, image, poetics) that has always implied contact, contagion, and transmission of the code [7]. The archive of existence, which belongs to everyone and no one, reminding us, must remain under collective care

Cyber-erotics opens topological spaces in the mesh through its Back and forth movement, a constant spacing and “adhesion” of the continuous and the discontinuous, a key process in synthesis that Interweaving modulation information between the local and the global (Zalamea 2021)

🁢⎩⎠⎦🁢⎦🁢⎣⎠⎦🁢⎭⎠⎝.🁢∘🁢⎦⎠⎝⎠⎝🁢⎡🁢∙🁢∙🁢⎡🁢⎦⎠⎭.⎠⎣⎠🀰⎠⎭⎠∙.🁢⎝⎠🀰🁢∘🁢⎦🁢⎝⎠🀰⎠⎦.⎠⎡🁢⎦⎠⎦.🁢⎣🁢🀫🁢⎤🁢⎩⎠⎩🁢∙

⎠⎝🁢⎭🁢⎤.⎠⎧⎠🀰 . ⎠⎝🁢⎡🁢🀫🁢⎡⎠⎣🁢⎭⎠⎦🁢⎤ 🀰 ∙ ∘ ⎧ ⎣ 🀫 ⎩ ⎝ ⎦ ⎤ ⎭ ⎡ ⎫

🁢⎦⎠⎦ . ⎠🀰🁢🀰⎠⎣⎠⎦🁢⎭ ⎠ E K W B T J H M R Z N F Q

⎠⎣⎠🀰⎠⎦⎠⎦⎠🀰🁢∙⎠⎣⎠⎦🁢⎡🁢⎭🁢🀫 🁢 X S C V G L P D O Y A I U

I Fell in Love with a Sound Signal

The conceptual idea described by Amy Ireland, behind the story of the album EXINFINITE(2025) by electronic duo VENERA, begins with Ex-1, a hacker who establishes an affective bond with a sound emission detected in the internet web. Deciphering what it is becomes her obsession; the origin of this signal is uncertain: fascinatingly elongated and granular textures, ghostly and babbling voices suggest a non-human, even alien origin

The process of deciphering and communicating with it becomes an almost daily ritual.Using an ancient Greek Polybius square, the hacker transcodes fragments of the signal and shares them on digital forums

What amazes Ex-1 is the enigmatic and almost paranormal universe of the signal, its ability to manifest beyond the screen, to alter the air, surfaces, and mood. This exchange becomes a practice of cryptesia, understood as the psychic and technical power to read hidden patterns and emit messages in unknown codes.

As the interaction intensifies, the boundaries between cyberspace, screen, and body dissolve. Ex-1 and the signal generate a common gloss of sign, a league of intersystemic empathy. Exchange across computer networks mobilizes cyberspace layers and opens channels secretly infected  by a host with the plasmid cloning vector 

Tragedy occurs when the exchange is interrupted by an entropic leveling forces, flattening all anomalous patterns in the electromagnetic field. In a desperate act to communicate again, Ex-1 print a synthetic alphabet through experimental software she programmed with all the encounter’s patterns: audio recordings, diagrams, encryption codes, and vector nodes coordinates

The result is a 3D-printed alphabet with a phasmid morphological characteristics, an order of insects known for their capacity to mimic the environment and reproduce by parthenogenesis. The 3D glyphs act as depositors of plasmid genes’ eggs, waiting to hatch into identical copies of the mother

The black circuit cybererotics introduces unpredictability into the mesh neighborhoods: along edges, faces, and vertices, small loops introduce noise, distortion, and displacement. A chain of procedures cuts, extrudes, and smooths folds of stitch mesh. With a few parameters (abstractions) production is delegated to a global algorithm that weaves digital matter of a pupa

Ex-1 has no choice but to listen. The sound no longer comes from the outside: it resonates from inside her, as if the signal has found a new interface in her body to continue its mutation. The internal vibration subverts the direction of listening, transcoding itself within the resonant cavities of Ex-1’s body 

The pathogenetic algorithmic strata multiply in the vestibular cavities of her ear, concave forms, which, like a shell, shelters the echo of its lover:

<<<<<<<<You're out of your mind, Leaning so far…>>>>>>I could watch you touch your hair for hours. Hide your smile under curls and flowers…>>>>>> Caroline, Caroline, I just might, I just might, be with you tonight. Caroline, Caroline, I just might, I just might, be with you tonight

—Hopefully, ~ the cold, metallic-tasting creature decoagulate We agreed to explore our holes(((()))) with kindness ∣A,B∣≤, Blowing air into the slot will spread KNO3, and from our dead skin, static-laden laughters swallowing threats without reconciling fear, frustrating the conservation control, ⇔ [to eat] while [to play]⇔s~ tuning listening into digestion~))) # metabólica _XYyZ_

The insectoid serum sediments in the cochlea of the ear, the vulvico-vestibular cave ideal for spreading machinic rhythms where instinct make a pact with sound. ((((Epigenetic memory of desire)))) The white mist mimics a thin, diffuse second skin.

Cybereroticism not only counteracts homeostasis but also tastelessness. Its turbulences produce emotive effects on human existence: melancholy, delirium, tenderness, vulnerability, eroticism

⇒ I am inside M⊖. The labyrinthine cavities deceive me // A fractal grows, in excess, in measure, piling up and multiplying folds. Φn(Ex). [[[[Inside, a hole looks back at us, saying: Exinfinite]]]] EX (infinite)∞ in the synthetic bodies, surplus and unlimited.

⇒ Estoy dentro de M⊖.  Las cavidades laberínticas me engañan // Un fractal crece, en exceso, a medida, amontonándose y multiplicando pliegues. Φn(Ex). [[[[Dentro, un agujero nos devuelve la mirada, diciendo: Exinfinito]]]] EX (infinito)∞ en los cuerpos sintéticos, excedentes e ilimitados.

The [code] emerges from water_________mirror a surface capable to be [to dug][to turn on] N0t en0ugh emptiness<#(ways to fill the r00m) ⊆ : something contained within something else: ⊆. I’m listening to that little pulse looping into the room, the noise that bothers you, I keep it, I know how to hold violence, while everything bounces, I learned how to back to zero, To surrender to ____, resigning to be sipped ⇒Transformation(V)

[1]Luciana Parisi, Abstract Sex: Philosophy, Biotechnology and the Mutations of Desire (London: Continuum, 2004) p, 39  [2]  ibid             [3]Amy Ireland, Black Circuit: Code for the Numbers to Come, e-flux Journal, no. 80 ( 2017) [4] Quijano, Mignolo,                 [5] La idea filosófica detrás de la teoría de categorías de las matemáticas, “no en sí sino en otros”. Los objetos pueden existir en múltiples niveles. Filosofía sintética de las matemáticas contemporáneas. Fernando Zalamea 2012 [6]  David Cronenbetg, The Fly. 1989